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Crystal Shawanda

Juno Award-winning powerhouse Crystal Shawanda is back with her latest studio album, Midnight Blues, on True North Records. Her latest fiery blues collection showcases her full-throttle raspy voice, unmatched in today’s musical landscape, and an authentic appreciation for the genre dating back to her youth. 

“Growing up, all of my favorite music had these breadcrumbs that led me to the blues,” Crystal says. “I often quote Willie Dixon: ‘Blues is the roots and everything else is the fruits.’ Even in today’s pop music, there’s all this influence that derives from the blues. I was just always really attracted to the rawness and the realness of the blues.”

Produced and engineered in Nashville by her husband and long-time collaborator Dwayne Strobel, Midnight Blues — her eighth studio album, and fifth since switching from a chart-topping career as a country artist —  is a collection of original songs, such as the seductive-sounding rocker “Midnight Blues,” swampy dancefloor groove “Rumpshaker,” and gentler “Take A Little Walk With The Moon,” as well as covers of the Howlin’ Wolf classic “Evil” and her take on Celine Dion’s hit “That’s Just The Woman In Me.”

The album also features Canadian multi-instrumentalist Steve Marriner, the late blues harp player Harpdog Brown, and in-demand bassist Dave Roe (Johnny Cash, Dwight Yoakam, Chrissie Hynde).

“This is absolutely my favorite album I’ve ever recorded because I feel like my husband put me in a picture frame,” says Crystal. “He really captured who I am as an artist. He let my vocal shine. He brought out the best in me and all the songs that we wrote really capture my live show and who I am.” 

Born in Wiikwemkoong First Nation, on Manitoulin Island, in Northern Ontario, Crystal was introduced to the blues by her eldest brother and to old-time country by her parents. “I was also into other styles of music that led me to the blues,” she says, citing everything from Elvis Presley’s “Hound Dog,” written by Big Mama Thornton, to R&B-pop star Monica’s “Misty Blue,” by Dorothy Moore. 

“I was one of those kids who read the liner notes,” Crystal says.  “I wanted to know everything, who are the songwriters, the musicians, the producers, the engineers. I’m always wanting to know who are the originators, who are the mothers of invention, who inspired all of us?  I’m a purist at heart, so I was always diving back to learn from the masters, like Etta James, as far as vocalists; Muddy Waters, as far as feeling; and Buddy Guy, as far as stylists who have a lot of swagger.”